Julia’s Thin Place

To observe without evaluating is the highest form of intelligence. – Jiddu Krishnamurti

The restaurant smells like toasted sourdough, garlic oil, and espresso. Outside the windows, San Francisco bustles with activity while inside, forks click against plates, chairs scrape, and a server calls out an order for the lunch rush.

Julia Ravenwood sits with her back to the wall, lost in thought, watching reflections slide across the window glass. She’s a tall woman with cropped black hair and muscles toned from time in the gym. Her face has a strong jawline and cheekbones, but her eyes are soft and lustrous, giving her an androgynous look. Across the table sits her wife, Emily, a blonde whose lithe figure speaks of her devotion to yoga. Emily’s soft features are highlighted by tasteful makeup.

This restaurant is their favorite hole-in-the-wall eatery, conveniently close to the IT firm where they both work.

Emily leans forward. “So,” she says with a smile, circling back to the previous night’s discussion, a theme they’ve rehashed for years, “what did you think of the reading this week?”

Julia sips her coffee. “It was good. Pema Chödrön is a mental warrior, and like I’ve said, on one level I do get it. Mindfulness is attention training, a sort of cognitive hygiene. But the way our culture and your classmates talk about it, like it’s some gateway drug to enlightenment, drives me nuts.”

Emily chuckles. “You’ve always been allergic to overclaim.”

“I’m allergic to claims that can’t survive daylight,” Julia says. “Buddhism talks about impermanence, which I respect. Christianity talks about love, which I respect. Hinduism talks about the divine in everything, which I respect. Then each of them turns around and insists that their map gives the best directions for how to live our lives.”

Emily tilts her head. “Maps can still be useful.”

“Until people start idolizing the map,” Julia says. “Most world religions solve a problem they defined to begin with. The problem of sin, the problem of ignorance, the problem of suffering. But for me, the solutions don’t generalize to the billions of people on our planet. They don’t account for the diversity of human experience. They don’t account for me.”

Emily sips her water as the ice clinks. She has learned to slow play their discussions, never rushing to debate. “What about secular philosophies? We haven’t talked about that for a while. Do any of them still hold your attention?”

Julia smiles despite herself. She loves the repartee. She loves having a partner that will deep dive beyond chitchat. “Stoicism is good for getting through the day but not for explaining why the day matters. Existentialism is honest about the void, which I appreciate, but it treats meaning like a do-it-yourself kit with missing parts. Humanism is lovely, but it assumes our species will be more noble given enough time and good intentions. Really? Just read any fucking news stream and you can see that isn’t true.”

The server drops off their sandwiches. The smell of melted cheese and tomato arises, laced with oregano. Emily waits, letting them both begin eating before responding. That’s one of the things Julia loves most about her. The space she creates, the way she doesn’t try to win conversations.

“I know I’ve invited you to my classes too many times,” Emily finally says. “I get so much from them, and I think you could also. I just want to share the experience with you.”

“I hear you,” Julia says quickly with a hint of exasperation. “But I’d appreciate it if you’d stop asking. I don’t think you’re wrong. That’s your path. I just refuse to perform openness. I don’t want to fake wonder that I’m not feeling.”

Emily nods. “Fair enough. This will be the last time.” She says it in a neutral tone, devoid of disappointment. She’s never been one to gaslight her wife.

They continue eating while the restaurant’s piped-in music features a saxophone bending notes like light through water. Emily watches a couple at the next table lean toward each other, their heads almost touching, and she feels a familiar ache, her mind roaming over the travels she and Julia have shared. Many of those trips were an intentional survey of what others call “thin places.” Julia was searching, as always, and Emily was glad to accompany her.

“I was thinking about Iona yesterday,” Emily says.

Julia’s mouth tightens, then softens. “I remember the wind. The way it smelled of salt and wet stone. And the abbey ruins were beautiful, like the bones of belief. Someone else’s belief.”

Emily nods.

“And nothing happened,” Julia adds, playing her part in the script. “No voice. No burning bush. No sense of being seen by something other than ourselves.”

Emily continues the litany. “Machu Picchu?”

“Stunning,” Julia says. “Green like it had been invented that morning. Llamas chewing like mute philosophers. And those sacred mountains rising against that blue sky! Maravillosa! I kept waiting for my awe to turn into revelation.”

“Ghost Ranch?”

Julia laughs, syncing with the rhythm of their game. “Red earth and wide sky. Georgia O’Keeffe certainly knew how to capture and frame that landscape. I wanted…” She stops, surprised by the sudden nakedness of her emotion. “I hoped something would break through. That I’d feel… addressed.”

Emily reaches across the table and squeezes Julia’s hand. Her palm is warm, familiar, and grounding. “I’ve loved every mile of our travels. Even if they speak to us in different ways.”

Julia looks away. “I can’t help it if I want something more tangible, some kind of contact. Would you want me to change to meet your expectations? I guess I could join your classes if it really means that much to you.”

Emily’s smile is gentle and teasing. “Nope. I love you just as you are, my Iconoclast. And you keep me on my toes. That’s for sure.”

Julia snorts. The Iconoclast nickname has stuck. Even some of their coworkers have begun to use it to address Julia. “I don’t smash icons for fun,” she says. “I just don’t bow to them.”

Emily’s eyes are soft. “I know. It’s just that I see how you get a bit melancholy about all of it. The empath in me can’t help it, especially with those I love.”

Julia looks down at their joined hands. “I really don’t want to be closed. I just don’t want to lie to myself or anyone else.”

Emily squeezes once more, abruptly changing the subject. “We can be open tonight.”

“With a head count?”

“Bearing witness,” Emily says. “Point-in-time counts of those experiencing homelessness really does matter. It can turn their invisibility into the funding that St. Vincent de Paul needs to continue their work.”

Julia nods and shakes off her cynicism. She also believes this, deeply, and has enjoyed volunteering with Emily at the shelter. Outside, a siren rises and falls. “So, the Tenderloin?”

Emily’s mouth curves into a determined line. “The Tenderloin.”

They pay their bill and step back into the city, where the afternoon light of a summer day seems brittle. A bus passes in a whoosh of turbulent air as they begin their two-block return to work. Striding next to Emily, Julia feels a familiar mix of affection and ache for her partner, the longing that comes from loving someone who has a quality you desire for yourself. Her mind roams over the supposed thin places they discussed at lunch. As often happens, she feels a quiet, stubborn hope that she pretends not to have.

___

The sun sets behind the buildings like a coin slipping into a pocket. The Tenderloin smells of asphalt and old beer, of urine and frying onions from a corner food cart, of damp cardboard and sweat. Julia walks with Emily and a small group of volunteers. They are holding clipboards and wearing reflective vests that catch the day’s last light.

The streets are busy, voices drifting from doors and alleys. Julia hears laughter, sudden and bright, then an argument that burns out in mid-sentence. Another person’s cough goes on for too long. From the open window of a building, the thumping bass of a rap song echoes over the street.

The group turns into an alley. It’s narrower than Julia expects, the walls close enough to touch with one’s hands and feet if you were to stretch out on the pavement. There’s cardboard flattened in various places along with dirty blankets. A shopping cart stands sentinel, filled with plastic bags that rustle in the breeze, as if they’re whispering to themselves. About a dozen people are there, some loitering, some already bedding down.

A young Black woman sits on a tarp, her back against the building. She wears a knit cap pulled low, her jacket too thin for a San Francisco summer night, when the legendary fog will likely creep into the city. Her eyes are bright and alert, not guarded like many of the others the volunteers have encountered. She looks at Julia as if she’s been waiting.

“Join me, sister,” she says, patting the tarp beside her.

Emily’s hand tightens on Julia’s arm. “We shouldn’t—”

“It’s okay,” Julia says, surprised by her certainty. She hands her clipboard to Emily, then settles next to the woman. She can feel the cold pavement seeping through the tarp into her pants. The woman smiles at her, and up close, Julia can see the fine lines at the corners of her eyes. Her gaze is steady, one of those people who seems to occupy her body fully.

“My name’s Mariah,” she says.

“Good to meet you. I’m Julia.”

“Look up,” Mariah says, nodding toward the slice of sky above them.

Julia turns her gaze skyward. Stars have begun to prick through the twilight, resisting the city’s glare. A plane passes, its lights blinking, a mechanical constellation cutting across the dark.

“Do you see it?” Mariah asks softly.

Julia’s chest suddenly tightens. Something speaks to her. It’s not a voice, nor a vision, nor an answer to a question, but a simple and powerful widening. The sounds of the city fall back, as do the smells of the alleyway. Time seems to loosen its grip as the present thickens into a presence both luminous and intimate.

Julia feels it like a warmth spreading through her ribs, like a recognition without an object. She knows intuitively that this is not about proof, but simply the fact of being here, with this woman, under these stars, in this narrow place that opens unexpectedly into a depth she has always longed for.

Tears come, uninvited. Then Julia laughs, breathless, the sound startling in the quiet.

“Yes,” says Mariah. “I see it also.”

Emily crouches nearby, her worry easing into wonder. The other volunteers instinctively give them space. Mariah begins to hum a low tune without words.

They sit for moments that Julia can’t measure because time has lost its edges. Then she becomes aware again, gradually, of smaller things: the chill creeping up from the concrete, the faint ache in her knees, the smell of old rain trapped in the brick behind her. A breeze moves through the alley, lifting a scrap of paper that skitters and settles. None of it breaks the spell. It just folds into it.

She thinks, fleetingly, of all the arguments she has honed over the years. How she has dismantled certainties piece by piece, proud of the clarity she felt she possessed. But in this instant, she realizes that her clarity was never the same as fullness.

Later, Emily will say nothing profound about Julia’s experience. She will not try to name it or wrap it in language that shrinks it. Instead, she will say, “I could see it on your face,” and that will be enough. For now, she waits, honoring the stillness the way she has learned to do, by not interrupting.

Mariah stops humming. The silence that follows isn’t empty. It hums of its own, a low resonance that seems to come from the walls, the sky, even Julia’s own chest. Julia thinks of the word communion and, for once, she doesn’t feel the need to bracket it with disclaimers.

“You never know when it will happen,” Mariah whispers, as if she’s talking about the weather.

Julia nods, unable to speak. When she finally stands, it’s as if her axis has shifted. The grimy, cramped alleyway looks the same, but it no longer feels accidental. It feels chosen, as if this place, of all places, has been quietly waiting to be seen without judgment.

“Thank you, Mariah,” she says.

Mariah smiles. “Come sit with me again, sister.”

Julia and Emily join the other volunteers and they walk on. The count continues with quiet questions and small kindnesses. The city exhales into night, its neon and shadow interweaving. Julia listens to footsteps, to distant traffic, to her own breath, and realizes her search has shifted. The thin place was never somewhere she needed to arrive. It was something that happened when she stopped standing apart.

And now she carries that alleyway with her, as well as the soulful eyes of Mariah. Not as some kind of proof, but as an ongoing invitation.

The Only Law West of the Pecos

On February 21st, 1896, Judge Roy Bean made national headlines by promoting a unique boxing match. Robert James Fitzsimmons was to fight James J. Corbett, the heavyweight champion, but the Texas Legislature had outlawed boxing. While promoters sought a new location for the match, Corbett retired, handing the title to Irishman Peter Maher, who soon agreed to fight Fitzsimmons. Bean arranged for spectators and the press to travel by train from El Paso to Langtry, where he held the fight on a sandbar on Mexico’s side of the Rio Grande. Texas lawmen had no authority there and Mexico had no law enforcement on hand. 

The desert along the Rio Grande looked especially ancient that morning. Canyon walls towered above the sparkling coil of the river. A cool winter breeze blew across the sandbar, carrying the smell of mud and horse sweat. The sun climbed quickly, illuminating a throng of spectators gathered around a makeshift boxing ring. They had travelled by train from El Paso to Langtry, and they were eagerly awaiting the contest.

John Walsh worked the crowd.

He moved easily among them, a lean man of twenty-five with dirty blonde hair, dust on his boots, and a practiced smile. He had learned at a young age that confidence was mostly a matter of posture and timing. Just short of a swagger, he told himself, because no likes a poser. A wide-brimmed hat shaded his face, and beneath his coat, pressing against his ribs, hung the leather satchel that held coins, bills, promissory slips, and the occasional gold watch. Anything that could be wagered. John’s hands were quick, his voice calm, and his gaze scanned for new prospects.

“Maher pays as long as a dry summer,” he told potential bettors. “Fitz is the favorite for sure, but Maher could surprise the world.”

He said it casually, like something he might not believe. That was the trick. Men trusted doubt more than certainty. Some of them laughed, shaking their heads. Others leaned in closer, smelling opportunity the way vultures smell death. Walsh gave Maher odds so generous that they bordered on insult, and the crowd responded exactly as he knew they would. Money flowed toward the underdog like water downhill, pooling fast and deep.

That was the plan, and Judge Roy Bean had calculated it perfectly.

Walsh had quickly learned about the judge’s shrewdness when he had drifted into Langtry at age nineteen, half-starved, riding a stolen mule whose ribs showed through its hide. Abandoned in Detroit at 12 years old, he had lived by his wits in the poor Irish neighborhood of Corktown. He sold matches and newspapers to survive, sleeping in whatever empty building or alcove he could find. Finally, with no prospects, he jumped a freight train heading west. He drifted between towns and jobs, often getting into trouble for theft. When he reached Langtry, he was at his lowest point, desperate for a new beginning.

He remembered the way the town first appeared to him, a cluster of buildings crouched in the desert along the Southern Pacific tracks, miles away from any other settlement. The Jersey Lilly Saloon stood at its center, leaning slightly. It was there that the legendary Roy Bean held court with his reputation as a “hanging judge.” He had famously called himself “the Only Law West of the Pecos,” a phrase the newspapers picked up and spread.

Bean had been sitting on the porch of the saloon that afternoon. He had a grizzled gray beard and a worn black Stetson perched on his head. There was a law book open on his lap, but even then, Walsh suspected it was more for show than reference. The judge watched the boy approach with the lazy interest of a man who had seen everything twice.

“You hungry, boy?” the judge had asked.

Walsh had nodded, too tired to lie, too proud to beg.

Bean fed him, then put him to work with the horses. He made it clear from the start: steal from me and I’ll hang you, steal for me and I’ll protect you. It wasn’t said cruelly or kindly. It was simply the truth, a verdict already reached.

Walsh mucked stalls until his arms ached and his back screamed. He hauled water under a Texas sun that seemed to burn him to the bone. He learned the smells of the stable and the moods of the horses. He also learned the rhythm of Langtry’s rough justice, listening from the doorway as Bean held court, watching men argue for their lives or their money under a mounted bear skin and a framed photograph of the famous English actress, Lillie Langtry.

Walsh never understood the judge’s infatuation with the British woman. He’d probably never meet her, and she certainly didn’t care about him. He claimed he had seen a photo of her in a magazine, and she embodied all his ideals of femininity and culture. Then again, since the town was named after George Langtry, an engineer who supervised Chinese labor for the railroad, maybe the judge just linked the last names in his mind. Either way, Walsh figured it was part of Bean’s calculated mystique, along with the “hanging judge” label even though he’d never executed a man.

Over time, Bean sent him on small errands, then longer ones with packages carried by horse to Del Rio, Uvalde, even San Antonio 200 miles away. Walsh knew that the bags could be sent by rail, and that Bean was simply testing him. A courier had to be trusted. He had to do what he was told and keep his mouth shut. Walsh learned which roads to avoid, which men to ride past without slowing, which questions not to ask.

He learned that reputation traveled faster than a horse, and that his was tied forever to Bean’s. People knew not to trouble John Walsh. If they did, they would answer to the Only Law West of the Pecos.

Now, standing amidst the spectators at the prizefight, the weight of the money satchel pulled at his shoulder, a physical reminder of how much trust rested on him, and how easily it could tip one way or another.

The crowd thickened as the hour approached. Sportswriters in stiff collars jotted notes, already shaping tomorrow’s headlines. Gamblers argued odds until their voices grew raw. Somewhere upriver, Texas Rangers fumed, unable to touch what happened on Mexican sand. Bean had chosen the place perfectly. It was just across the border and out of reach. He knew that Mexican authorities, if they even cared to come, would be delayed by distance in this remote stretch of the desert.

Walsh finished a final transaction with a cattleman from El Paso, then stepped aside to count. The sum dwarfed anything he’d ever carried. Enough to disappear, to buy land and anonymity.

That very thought had been creeping into his mind for weeks. Roy Bean treated him well, but Walsh knew the truth. He was a useful thing. Trusted, yes. Protected, yes. But loved? Maybe, in Bean’s rough way, but Walsh knew he would always be subservient, an extension of another man’s will. It had been grating on him.

Suddenly, the fighters entered the ring to a roar that echoed off the canyon walls. Fitzsimmons looked calm, coiled like wire, his eyes steady. Maher, broader and heavier, was already soaked in sweat, perhaps aware that he carried the hopes of every longshot gambler in the crowd. Walsh felt a flicker of sympathy for the fellow Irishman.

The bell rang and people began shouting encouragement to their favored fighters.

95 seconds later it was over.

Fitzsimmons’ rock-hard punch landed clean under Maher’s jaw, collapsing him like a toppled statue, his head hitting the packed sand with a finality that quieted the crowd for an instant. Fitzsimmons stepped back, his arms raised in triumph, while Maher remained motionless on the ground.

Then chaos erupted. “This fight was rigged!” yelled the gamblers who’d believed in miracles. Others jeered, some cursed, and some stared as if they’d just awoken from a dream.

Walsh stood still, watching a medic kneel beside Maher. Even though Bean had just hit the jackpot, disappointment washed through him. After all the maneuvering, bribing, and scheming to organize the fight, it had ended as suddenly as a candle snuffed out by a gust of wind. That was the world in a nutshell, Walsh thought.

By late afternoon, he’d finished collecting all the wagers, invoking Bean’s name to men who were reluctant to pay. The satchel was almost obscene with its weight. Bean would be richer than ever. Langtry would buzz for years on this event alone. The judge’s legend would grow, fed by exaggeration and envy, while Walsh would remain a footnote.

He mounted his horse as the sun dipped west. But instead of riding north towards Langtry, he headed south. No one stopped him. Why would they? He was Judge Bean’s man.

He rode along the river, keeping to the low ground where tracks were more concealed. The farther he went, the more the satchel spoke to him. Not with words but with possibility. Each mile put distance between the life he’d been given and the one he had decided to claim for himself.

By nightfall he reached Boquillas del Carmen, a small village clinging to the banks on the Mexican side. He paid cash for a room without giving his name. Its walls were bare, its bed narrow, and it smelled heavily of dust. Walsh barred the door with his saddle, then sat on the mattress and untied the satchel, spreading out its contents. It was more money than he’d expected. With this, he could vanish into Mexico and be nobody’s man but his own.

He lay down with the bag under his head, one arm looped through the strap, telling himself he would sleep lightly and awaken at the slightest sound. But he was restless, surprised at how much his conscience bothered him. He told himself that what he’d done was no different than what Bean had done all his life. He was just seizing his chance when it came. Then he recalled a quote from Mark Twain he’d heard a man once tell him: “A clear conscience is the sure sign of a bad memory.”

He tossed and turned until sleep descended harder than he expected.

He dreamed of the Rio Grande rising without warning and washing everything away. All the money and players, the boxing ring, even the border itself. Then he dreamed of Judge Bean sitting in his chair without a face, the law book open to blank pages.

He was torn from sleep as the door to his room burst inward. Rough hands seized him. He reached for the satchel by instinct, even as someone twisted his arm behind him.

“Don’t,” one of them said quietly. “Ain’t no call for that.”

Walsh recognized all three men as Bean’s employees. He had worked alongside them and ridden with them. They didn’t strike him or curse at him. They simply moved with the quiet efficiency of men following orders.

They rode north under a full moon. Walsh watched the silvery river slide past and thought about how close he’d come. Another hour, another day, another hundred miles south, and he might have outrun his old life. The men didn’t speak to him, giving no explanations. They didn’t have to. Langtry pulled at them like gravity. Judge Bean always knew where his people were. That was the real law, a presence that followed you even when you tried to cross a border.

Langtry seemed smaller in the early light of dawn. The Jersey Lilly leaned the same way it always had, like it might collapse any minute. Bean sat inside at his massive mahogany desk, his law book closed, his reading glasses low on his nose. The men brought Walsh to stand before him, then laid the satchel open on the desk, its riches spilling out as if it were a cornucopia.

For a moment, Walsh considered speaking up for himself. He would lay out the justification he’d rehearsed on the ride back. A man only gets so many chances; he must seize them when he can. Surely the wily old man would understand that brand of conniving. But as he looked at the judge, it all drained away. This was the man who’d fed him, trusted him, and pulled him up from rock bottom.

“I’m sorry,” Walsh said quietly. “I have no real excuse. I just fell prey to some grand dreams I’ve never had before. I’ll take whatever punishment you see fit. Even hanging. I deserve it.”

He waited for the sentence. He waited for the rope.

Bean studied him for a long time. The room was silent except for the distant nickering of horses.

Finally, the judge spoke.

“Go muck the stalls.”

Walsh blinked.

“You heard me,” Bean said. “You’re starting over. And I don’t know if I’ll ever be able to trust you again. Just get your ass back to work.”

That was it. No lecture. No sentence. No gallows.

Walsh felt weak with relief. Shame burned hot in his chest, but beneath it ran something else. A gratitude that was both fierce and painful. He turned and walked out toward the stables, the sun rising behind him, the desert still ancient and indifferent.

The stable door creaked as he pushed it open. The familiar smell embraced him, a mixture of manure, hay, and warm animal breath. Horses shifted in their stalls, their ears flicking, their eyes rolling toward him with the dim patience of creatures who understood work and routine but not ambition.

He took up a shovel and began his toil, sweat gathering quickly. As he worked, he felt something settle inside him, a kind of grounding. This was how he had begun, by doing what was set before him and doing it well. No matter how long it took, he vowed to return to a place of respect, if not in Bean’s eyes, at least in his own.

Outside, Langtry continued to awaken. A door opened. A voice called out. Somewhere up the hill, Judge Roy Bean took his morning coffee and sat on the porch of his saloon, the world lining up before him as it always did.

Walsh kept shoveling until any thoughts of what lay ahead disappeared. The future could wait. Right now, there was only the task before him. Right now, there was still breath in his lungs.

Simply being here and working was a grace he hadn’t earned.

Victor Benavides and the Power of Words

Welcome back to our series of interviews with authors in the Story Sanctum family. As I said in the first installment—a conversation with Soter Lucio—it’s a privilege to connect with these writers and learn the backstories to their artistry. This is especially true since they come from vastly different countries and experiences.

This time, meet Victor Benavides, a Texas-based author whose debut short story Carrier the Fisherman appeared on our site on July 1, 2025. It’s a piece dedicated to his grandfather that evokes vivid scenes of war, a brawl in New Orleans, and life along the southern coast of Texas. At the center of it all is Carrier, a larger-than-life presence with an unexpected fate. Take a few moments to read it!

KVT: First, Victor, thank you for taking the time to share with us. I see that you grew up in the Lower Rio Grande Valley (RGV). As a fellow Texan, I’ve spent a lot of time on both sides of the American/Mexican border. Does your family have historic roots in that area?

VB: My father moved here in 1943 when he was fourteen years old. I remember him sharing a story about his first day here—how his brother gave him a pair of canvas shoes that he cherished. He began his career as a radio personality and DJ in the Valley, and later became a writer, producer, director, and actor in several hit films shot locally, such as Treinta Segundos Para Morir and La Banda del Carro Rojo. My mother was born at Mercy Hospital in Brownsville, Texas, and grew up in Port Isabel. She met my father in 1979.

KVT: Your father sounds like a creative character. Do you remember any specific advice he gave you?

VB (chuckling): My dad gave me advice about everything and anything. When it came to writing, he said to write about something that I find truly inspiring. If I get excited with my own words and feel a sense of wonderment and connection, then I have something worthwhile to share with the world. He also told me that whenever I write fiction, add a bit of truth because it will then become greater. Lastly, he told me to write while in the moment. If I feel inspired in the moment and write something down, even if it’s incomplete, I know that one day I will revisit that piece of writing and finish it when inspiration strikes again. 

KVT: Your bio also says that after earning a master’s degree in business administration from the University of Texas Rio Grande Valley, you are now working on a master’s in English. What prompted this shift?

VB: I’m an English teacher here in the RGV, and I decided to pursue a master’s in English Studies to strengthen my skills and broaden my knowledge of the field. I felt that deepening my understanding of rhetoric, literacy, and composition would make me a more effective and impactful teacher for my students.

KVT: I love this quote from you: “I have always been fascinated with the power of words and how they can stir emotions and help a reader transcend into different literary worlds.” Do you have some favorite authors who influenced you?

VB: Authors who have influenced me deeply include Américo Paredes, María Amparo Ruiz de Burton, John Berger, Rudolfo Anaya, Margarita Longoria, Sandra Cisneros, and many others. I’m also drawn to science fiction and admire writers like George Orwell, Ray Bradbury, and others for their ability to expand the imagination and reflect on society.

KVT: Can you share any anecdotes from your teaching when you saw students whose emotions were stirred by the power of words?

VB: There’s a famous story I read to my students called The Appointment in Samarra. It’s about a wealthy merchant who sends his servant to get provisions in the bustling marketplace of Baghdad. The servant returns full of fear. When the merchant asks him why, he says that he saw Death in the image of a cloaked woman and she seemed to make a threatening gesture. The servant asks to borrow the merchant’s horse, then gallops to the faraway city of Samarra to hide and escape from her. Later, the merchant goes down to the marketplace and sees the same cloaked figure “Why did you make a threatening gesture towards my servant?” he asks her. “That was not a threatening gesture,” she says. “I was simply startled to see him in Baghdad, because I have an appointment with him tonight in Samarra.” After reading this, I get a lot of wide-eyed epiphany-induced looks from my students. They realize that the story elicits an emotional response from them because they can identify with the servant’s feelings. No young student really takes into account their own mortality. At that age, they feel invincible. However, the story helps them realize that death is inevitable and that time is a precious resource. Although it’s a bleak story, it helps students appreciate the power of words.

KVT: What are some of your plans for using your writing and your new degree?

VB: I’ve always seen education as a lifelong journey; we’re constantly learning and growing. With my writing, I hope to create literary works that forge emotional connections with readers. I also want to offer more diverse “mirrors” in my work—stories and characters that allow readers from all backgrounds to see themselves reflected and to connect personally with what they read.

KVT: Well, I look forward to reading your work in the future, and I thank you for taking the time to speak with us.

VB: You’re very welcome!

You can find Victor Benavides on Facebook here.

Under the Bell Jar with Sylvia

But I wasn’t sure. I wasn’t sure at all. How did I know that someday—at college, in Europe, somewhere, anywhere—the bell jar, with its stifling distortions, wouldn’t descend again? – from “The Bell Jar” by Sylvia Plath

Throughout my career, I walked with the wounded. I communed with those suffering grief, addiction, disease, and mental illness. I’m certain that my personal struggles, so close to the surface, helped me become what Henri Nouwen called a “wounded healer.” It was a privilege to share sacramental moments with fellow human beings.

There’s an incident seared in my memory. Bob, a member of a church I served, had reached the end of what he could tolerate. He took a pistol, walked out to his driveway around midnight, and shot himself. I lived two blocks away, where I was awoken by my phone jangling. It was a police officer. An ambulance was on its way, he said, but Bob, somehow still conscious, was asking for Pastor Krin to come to his side. I got there quickly, where I kneeled next to him, his head haloed by blood. Under the bell jar, our eyes met. I assured him that both his Creator and I loved him, and that nothing could separate him from that reality. I believed it then; I still do.

Miraculously, he survived without brain damage and went on to heal the underlying depression that drew him into the abyss.

My empathy for those who suffer has never subsided. Recently it extended to Esther Greenwood, the main character of Sylvia Plath’s only novel, The Bell Jar, published just before she committed suicide. Set during a single summer, it’s the story of a young woman’s descent into depression. Beginning with a writer’s internship in New York, she plummets through a series of mental asylums, enduring primitive shock treatments along the way.

The novel had been on my radar for years, one of those “must reads” for students of serious literature. I knew about Sylvia’s tumultuous relationship with poet Ted Hughes. I had read some of her poems which really didn’t speak to me, but this novel was both lyrical and terrifying. I will never forget it.

The bell jar becomes a metaphor, a symbol of the pressures Esther faces to conform to societal norms. The conventional paths of marriage and motherhood, held up as ultimate goals for women, feel like chains to her, stifling her ambitions and suffocating her spirit. She yearns for freedom, for the ability to define her own life, yet every attempt to assert control pushes her further into despair.

Esther speaks of this inner turmoil. “I was supposed to be the author of my own life.” “I wanted to be intelligent and popular.” “I wanted to be a perfect person.” “I always believed that if I did or said the right thing, then everything would turn out all right.” “What is the point of this life if we are not living it to the fullest?”

Increasingly, depression dictates her thoughts. “It was as if I were always wearing a mask.” “I felt like I was drowning.” “The world was a big, dark ball, and I was all alone.” “The only thing I could do was stay quiet and let the shadows take me.” “I wanted to disappear.”

Seen through the bell jar’s distortion, Esther’s urge to vanish means ending her life. She contemplates multiple methods. Jumping off a roof. Drowning in the ocean. Then, in her most dedicated effort, taking an overdose of pills.

That final attempt still chills me. Esther makes her way to the family cellar, then to a dugout tucked in its furthest recess. She crawls inside, pulls some firewood against the entrance, and takes every pill in her bottle.

It’s hard to describe how that affected me. I was right there, sitting next to her in the damp darkness, powerless to banish her despair, bearing witness to a life that mattered as preciously as any of ours.

My colleagues and I call it the “ministry of presence.” Simply being with another person during their trials. Refraining from trite platitudes. Offering only love and grace. Over the years, it led me to sit beneath the bell jar with so many people, enduring their pressures with them, believing that the necessary remedies would emerge but that love and empathy come first.

Admittedly, I took this further than many. I remember being at the bedside of an elderly woman in her final days. She had no family left, and her failing heart would soon stop beating. I had been walking with her through all of this like a surrogate son.

She looked up at me, and in a weak voice said, “Pastor Krin, will you lie down next to me?”

Frankly, I didn’t care what the hospital staff felt. There was enough space next to her frail body, so I stretched out alongside her. She turned, laid her head against my shoulder, and softly fell asleep.

As I looked up at the ceiling of the hospital room, listening to her shallow breathing and the echo of voices in the hallway, something transcendent happened. The distortions of the bell jar completely cleared. There was only the present, the connection of two lives, and the omnipresent love that embraces all of us if we let it.